Kimberly Corday has a new body of textile work called Pelage.
“My process is Frankensteinian. Borrowing aspects of weaving, embroidery, and collage, I make textured objects that conjure up an amalgam of natural phenomena like threadbare pelts, nests, or overgrown brush.
In this new body of work I dye, distress, and manipulate an assortment of textiles in a ritual that yields wall hangings both romantic and primitive. Much like the preserved textiles of a bygone era, this series spotlights organic, sometimes misshapen forms as well as the relationship between beauty and decay.”
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