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Artist of the day: Jennifer Davis

Wednesday, September 16, 2009 · 4 Comments

Jennifer Davis is based in Minneapolis but her work definitely gets around!  Recent highlights include exhibits at Nahcotta’s ETA in New Hampshire, Walker Contemporary in Boston, Cerasoli Gallery in LA, and SOOVAC in Minneapolis.  Although Jennifer has received a good amount of recognition for her work, her paintings are (for the time being) very affordable!

Below is my shortlist of Jennifer’s available work.  Performer and Yippee!, both a steal at $150, are available through Nahcotta’s ETA, while the rest, at $450, are available through Davis’s site.

Tags: Art

4 responses so far ↓

  • 1 Partner // Dec 27, 2014 at 4:06 am

    Oh cool! I’m vending there too torromow. Half of the fun of doing shows is getting to see all the great artists. Sometimes the last hour can be slow and that’s when you see us roaming about the craft show, checking each other out and spending the day’s earnings 🙂

  • 2 Klas // Dec 27, 2014 at 5:34 am

    yay! I am a huge fan of Leah’s artwork and hope to see her orlnigais in person one day! Her gorgeous 2011 calendar is already hanging in my hallway and I love looking at it everyday.

  • 3 Ferha // Apr 3, 2015 at 7:00 pm

    , is it really no sriurpse that there are so many Christian scumbags?It’s said that it’s easier for a camel to fit through the eye of a needle than it is for a rich man to enter Heaven. Seems to me that either St Peter has loosened his criteria for entry to the Club Eternal, or a lot of these high-profile Christians are going to be some very disappointed fuckers.Keep up the good work, Chez. Happy New Year to you and Inara.

  • 4 Selen // May 3, 2015 at 8:42 pm

    I think Brit is melting.Thomas, it’s not “eye of A nedlee.” It’s “eye of THE nedlee.” The reference is to a small gate set into a larger city gate. Come up after the big gate is closed, at dusk, say, with a fully laden camel and you’ll find that getting him through the eye of the nedlee is more difficult, but not impossible.

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